“…a MONSTER on the axe, Roman eats, sleeps, and breathes guitar!”
- A.J. Fritz, Host of Fritzrocks WLVR 91.3 FM

In Grade School

In NYC

In England

Matt is not only an exceptional musician, he is dedicated to the success of any event he and the
group are part of. They are a class act!”
-William Quigley, Proprietor, The Washington House Restaurant & Sellersville
Theater


Matt Roman is a visionary beyond genre. He knows what it is to be a package deal.
- Bev Conklin, Event Director ,  Lehigh River Blues Jam
 

with Jon Popper from Blues Traveler

Easton, PA Blues Festival

With Kind Of Blue

Time Line
Moments that shaped my musical life 

Topics
My life divided into categories and detailed below

School Daze

"He has potential, if only he would apply himself..." is what I was told on a regular basis. The problem was I didn't want to apply myself... to geography, or math anyway. And sports...well preventing a fly ball from breaking my nose...or running to keep from inevitably being tackled seemed...well, certainly not very lucrative.

I had a lot of music in my house though, there was a 45 record...Hound Dog...the Elvis one...that was cool.  These Yeah Yeah Yeah guys came out, The Beatles.  I had a big family and they all had records of their eras: 78's, 45's, the LP.  Big bands, jazz, rock, R&B, Funk, Fusion...I ruined all those records.

I started lessons when I was about 10. I borrowed my older brothers 1954 Gibson, an ES-125 (with a single P-90 pickup.) I was only in seventh grade when I was accepted in the local Community College's summer program for Arts & Music. I had a four hour major of arts in the morning, and a three hour minor of music, which included an hour of piano theory, an hour of guitar theory, and one hour of synthesizer...very cool! I saw a Hendrix impersonator and was hooked - the Electric Guitar was amazing. I had a Fender Mustang feeding back through a Heathkit homemade tube amp the very next day.

I finally graduated from High School by the skin of my teeth. By now I had been expelled every year from 7th grade on. I already had a police record. I was hanging with the wrong crowd: partying wanna - be musicians.

Schools Out, Learning Begins

I moved down to Philadelphia to begin guitar lessons with Calvin Harris, a no-nonsense brother teaching in West Philly. From Calvin I learned a unique system for learning and teaching. It is the method I use today. I moved back to Allentown at my dad's persistent plea to "do something" with my life and graduated with electronics degree from Lincoln Tech. I learned how to fix all my gear, but again, passed by doing the bare minimum. I started some garage/kid/punk bands: The CREEPS, ARTFUL DODGER, PANIC ATTACKS, the  HEAT MERCHANTS.  

But a lot of the bands I saw and looked up to in my hometown were into "the party" - alcohol and drugs, and so were a lot of the places that booked them. It was a real unhealthy scene but it was pretty accepted. It was the social norm from the hippie - 70's - era fallout. Many venues' business' were based on it, they relied on it and encouraged it. That was fine with me...I was happy to play and party...but eventually the party was more important than anything else...including friends and family. 

I fell out of the actual professional music scene. I floated from job to job, band to band, and party to party...always ending up in one holding cell after another.

Prison

I served some time, and I have to admit this because:

1) It is my history and a matter of public record, and 
2) It had a profound effect on my life...one I sincerely hope nobody has to go through.

Eventually, as a hard core drug addict more than a musician and stealing to support a habit, I was finally arrested and sentenced to multiple sentences of 1-5 years. It was ironically the best thing my anguished parents could have hoped for: now at least they knew where I was, and that I was alive. Their only consolation once they found out what prison I was in was a counselor telling them "Oh don't worry, nobody has been killed here yet."

But don't think I changed just because I went to prison...half my gang was in there. I was in a prison gang in no time shaking down other inmates, paying off guards, and continuing my habit. No joke, this was the big time and I was fine. Making money, getting high, watching cable TV...until I realized...this is as far as it goes. For this lifestyle, I had peaked. I made it. I decided to quit all gang activity, got in the prison drug and alcohol program, even started a music program and art program. This all impressed the judge, and I got early release after serving two years.

Released

I was literally told I had no future, expect to only have dead-end jobs, and that I'd be back in prison. I was on state parole for years to come. But I was so grateful to be out...to feel a breeze...smell clean air, to see a tree...feel the sun and rain...I was determined that nothing would knock me off my square and put me back there. I got the dead end job...stayed off the junk, reported to parole, put my only spare money down on a used guitar in the local pawn shop, and started looking around for a band. I followed the advice of those I could admire. This time I was determined to make MUSIC THE PRIORITY. Not drugs, not alcohol, not girls, gangs, or "easy money". That was in 1996.

Since then, I've been on many stages, met famous people, been in different cities, states, and countries, and have many wonderful experiences. I have met  wonderful people who were positive influences and role models in my life and I try to keep them close and value them greatly. I'm extremely grateful and lucky to have a second chance. 

                
Some Bands

After my release I found my first "opportunity" through a co-worker and had to borrow the leader's guitar to audition. "Just let me jam with your guys, so you can hear me" I asked. He listened and said " You start on Tuesday". I didn't even own a guitar yet! I scraped up what I needed and headed to the pawn shop. This was the first band listed below, IRBD. They even had a video! Big stuff back then.

Teaching, Teachers

After completing my second tour of the UK I was approached to give lessons in local music stores. I had great results with the method I had adapted from Calvin Harris in Philadelphia and had some kids up on stage within two months of lessons at some of the local blues jams.

I began having questions of my own and approached other teachers looking for counsel, among them AL GUERRA, MIKE DUGAN, and CRAIG THATCHER, who helped me develop the fundamentals that blues provided. When I combined that with constantly going to jams to learn, making embarrassing mistakes, and playing with so many different players, I grew much more in all aspects: from theory, to touch and tone, to performance and technique.

I currently still study under TOM KOZIC, who teaches at local colleges and universities. He worked with Howard Roberts, Joe Pass, Jack Wilkins, Tal Farlow, and Kenny Burrell, winning the Kenny Burrelll Award at age 19. At 20 years old he was playing the biggest venues in the world with Eddie Rabbit, who had some big hits then. More on him and current bandmates at: Nelson Hill

PAT MARTINO   www.patmartino.com
I am also currently working on a curriculum prepared for me by PAT MARTINO.  Pat is a world recognized guitarist of the highest order. To have had him accept me as a student is a great honor. His method is similar to my approach but of course more intense. And, like mine, it revolves around concepts and patterns more than traditional theory. Man, just check out this man's website and story...it's incredible! You won't believe HIS story and what happened to him. It's unique and inspirational.

Tom Kozic and Pat Martino's methods had a profound effect on not only my own personal growth but my teaching methods and principles as well. All my teachers enlightened me about not only music, but my focus, path and endless journey in life.

My Teaching Method

I don't make anybody quit. I encourage everyone to do it and get on stage with me.  I teach any age student with a standard-sized electric guitar. If you practice this method daily you move fast. If practice less, you move slow. If you're new and know absolutely nothing you'll be on stage with me within 1-2 months. If you're playing well already you'll understand more, retain more, and play even better.

I often start a lesson with a demonstration and offer this promise:
"You will not walk out of here today strumming some  memorized beginning of a Led Zeppelin song...but within 1-2 months you will be able to read a chord chart and solo over it, on stage, at a typical blues jam... and know what you're doing!"

My method is derived from how Philadelphia instructor Calvin Harris taught. It quickly familiarized me with the entire instrument, advancing me very fast which in turn helped to keep my interest in continuing. Within months I was playing in bands and have been in them ever since. 

 Basically  the weak spots of the students are assessed and they're given exercises to get up to the level of a working performer. It involves concepts rather than the traditional series of reading in book methods, and a routine of three disciplines: 

1) Finger Exercises
2) Chording
3) Theory

The first, Finger Exercises, involves various scales and patterns to develop coordination, strength, and dexterity in both hands throughout the entire length of the guitar. The second, Chording, involves practicing various multi-note shapes and forms or "chords"  across the guitar neck. The Theory section involves utilizing what has been practiced in the previous two sections and applying them.

It's not an ancient secret, or expensive membership club, or difficult school course. Just a method with some common sense and a practical approach for making any study time as efficient as possible.

Concepts
One of the primary concepts is understanding that all chords, scales, and focal points can be based on only two strings: The E string and the A string. With a single basic chord shape and knowledge of the E and A string notes the beginner can navigate the entire guitar neck within several lessons, reading charts and playing popular simple rock and blues tunes and progressions.

I also offer to be up there on stage with them. I am very involved in local jams, the local blues network, and even organize events specifically for students. I feel good about giving any time I can to get a student to play out, an opportunity I never had.

I do NOT try to enforce "blues guitarist", or "jazz" or "rock" or any other specific type of guitarist. I do use a blues and rock format to demonstrate the basic fundamentals to more fully utilize the guitar. I progress to jazz improvisation (as opposed to classical) because it  is applicable to metal and rock  "shredding." At that point we simply apply it to the student's preferred musical tastes. 

       
Press & Awards

I don't have any Grammy's. I'm not in Guitar Player Magazine. I have respect now from my peers though, and for me that's success. I see my picture in the paper occasionally...that's especially cool when it's in a foreign country. Every once in a while I get some parents coming up to me thanking me for helping their son or daughter have an interest in music, which I found to be even more satisfying than an award or newspaper clipping. My students get awards. A few of my students have scholarships to music schools now, and get their own press. I try to create chances for them that I never got. Still, I do have some stuff on my wall:

Lehigh Valley Music Awards 2002: Best punk Band
Lehigh Valley Music Awards 2003: Best Lyricist, Best Website, Best Live Performance, Best Punk band, Punk CD
Lehigh Valley Music Awards 2004: Best punk Band, Best Live Performance
Lehigh Valley Music Awards 2005: Best Punk Band
Film Soundtrack: Grace And The Storm (2004) the song  "Drugs & Candy" performed by Signal To Noise for movie intro
Video Appearance: The Dwarves-F*** You Up And Get Live
Lots of autographed photos of me with cool guitar masters and pros, some of whom I was playing with on stage.

I don't count the mentions or collect the press clippings anymore...I have my very first ones saved.  There are some reviews that you can read on my websites, and there's been pictures, praises...and complaints... from here to Europe. The first time our hometown finally broke down and printed "The FUX" in 1999 was a big personal victory for me. My most recent mention as of this writing was last week (June 2006), a local magazine advertising the Kids Jam I'm running.

I never forget that there was another time my name appeared frequently...in the police section of the newspaper. My parents had to see that OFTEN. And there was a time that I never thought I'd get out of a jail cell, much less out of town, or the country. I am very grateful to have had the help and opportunity to turn my life around and that I was able to open up my eyes enough to do it. 

I used to lecture on the prison circuit, having become somewhat of a success by incarceration standards, but mainly I try to compensate for my "checkered past" by creating musical opportunities for others. At the same time I have one goal after another to gladly pursue and challenge myself with for the rest of my life. I thank God that before both of my parents passed away they got to see plenty of the good press. This dedicated to them.

Thank you for reading. 

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